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There's black and white, day and night, good and evil, yin and yang. It all just balances itself out.
Ilič, Risto ; Kořínková, Jana (referee) ; Mazanec, Martin (advisor)
The bachelor's thesis "There's Black and White, Day and Night, Good and Evil, Ying and Yang" follows the three-year existence of the collective "Ugly Brno" and its work, which is based on the still current, local phenomenon of redesigning of advertising banners and shields in the context of small businesses located in the Brno city center. Specifically, it focuses on emerging designs combining black and white. The output of this bachelor's thesis is a video – a fictional interview in which Black and White are personified as two confident, eccentric personalities, quasi-experts in today's visual culture and the ultimate guarantors of taste, who conquered the city of Brno with their realizations. The objective of this thesis is to reveal the mythology behind the popularity of black and white combination in the context of visual culture, particularly in graphic design and its connection to the problematics of gentrification and capitalism. Another objective is to use sarcasm and irony to create a reflection of a culture whose values are elitism, workaholism, perfectionism, disregard for alternatives and an emphasis on efficiency. Why is it that in such a culture, black and white has gained more and more popularity than ever before?
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The Development of Mimetic Desire towards Latent Conflict in the Work of Katherine Mansfield
Nováčková, Zuzana ; Wallace, Clare (advisor) ; Nováková, Soňa (referee)
Thesis abstract Using Aristotelian notion of imitative behaviour and René Girard's theory of mimetic desire, several stories by Katherine Mansfield are analysed in order to demonstrate the development of mimetic desire together with its implications. The analysis follows the negative aspects of mimesis: the problems it causes in relationships, as well as the positive aspects including the self-knowledge. Since Mansfield's stories do not correspond fully to Girard's theory, the analysis explores a specific way of dealing with mimetic desire: keeping the conflict latent. At first, the stories about childhood offer an insight into Aristotelian concept of mimesis - imitative behaviour being a natural and pleasing human activity that is best observed in children's plays. The stories show how children choose their models, how they comprehend the world that surrounds them, especially the interpersonal and social codes, and how important is imagination in their mimetic activities. The analysis proceeds from natural imitation to the origins of mimetic desire, focusing on two modes of mediation and on the process of realization of one's own self-authenticity. The search for self-authenticity is possible due to external or internal mediation of desire. The transition from one type to the other is explained by the...
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the essence of photography in the digital age
Doubek, Zdeněk ; Holeček, Tomáš (advisor) ; Váša, Ondřej (referee)
The diploma thesis solves the question of photography not only from the point of view of a work of art, but as a part of a cultural code. Photography in the digital era has the potential to become a new kind of visual language. From this perspective, the photographic universe reveals several essential questions, which we address here. These questions explore topics such as: historical development of images and text, the difference between traditional images and technical images, the cultural impact of mass production of digital devices and photographs, the essence of photography as a symbol from the point of view of semiotics and logic, the difficulties of deciphering photography, the linguistic aspects of digital photography or the meaning of photography in virtual (public) space. Due to the nature of the monitored topics, the work will address problems mainly related to language, logic, epistemology, human freedom in the context of man/device and marginally also semiotics.
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Telling and Showing in The Bluest Eye and To Kill a Mockingbird
Felcmanová, Martina ; Chalupský, Petr (advisor) ; Topolovská, Tereza (referee)
TITLE Telling and Showing in The Bluest Eye and To Kill a Mockingbird AUTOR Martina Felcmanová DEPARTMENT Department of English Language and Literature SUPERVISOR PhDr. Petr Chalupský, Ph.D. ABSTRACT This bachelor thesis focuses on similarities and differences in the narrative strategies in the novels To Kill a Mockingbird and The Bluest Eye. The main objective lies in the analysis of how, and for what purpose, the two modes of narration, telling and showing (also diegesis and mimesis) are used. Furthermore, the thesis provides a comparison between two different narrators and it attempts to describe the effect their narrative has on the implied reader.
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Visual experince as example and pattern in relation to the expansion and influence into human life
Nohejl, Jiří ; Czumalo, Vladimír (advisor) ; Vojtěchovský, Miroslav (referee)
The main theme of this dissertation is to define an image as a visual experience. The human interaction is described by the author himself as a perception of the image, which serves as an information unit that could be presented as a possibility, example and pattern for the individual. There is an emphasis on the process of perception itself and on the way of interaction of an individual emphasizing the context of social learning and imitation in this text. The analysis of the principles of this interaction leading into introduction of the partial interactive models covering these processes is formed by the essential plane. The structure of the thesis is divided into ten main chapters in which the author tries to introduce a category of perception, a definition of the image and imitation as a tool of cultural transmission, presentation of the units of this transmission, the process of the interaction itself and analogous example of the fundamental role that a person in this interaction holds. There are also three analogies of these roles, which refer to the anthropological universal interaction describing the man as a gatherer and hunter. Their main purpose is to illustrate the form of a human experience better. Finally, there are reflections on the topic above. The possibilities and results, which...
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Fictional Worlds Theories. An Analysis and Interpretation of the Recent Development of the Theories of Fictional Worlds.
Zima, Martin ; Bílek, Petr (advisor) ; Málek, Petr (referee)
The thesis analyzes the possibilities of application of the fictional worlds theory as a possible basis for a different literary-theoretical approach to the study of literary texts. Not being a mere literature research, the thesis inquires into issues which are necessarily connected with the fictional worlds theory and which have been so far rarely dealt with, if discussed at all. It contributes to the discussion on advantages and drawbacks of the mimetic approach and of the fiction theory, it analyzes the possible applicability of the fictional worlds theory in literary history, it attempts to determine the correlation between the Seymour Chatman's textual types and the fiction theory nomenclature, and last but not least the thesis deals with the possibilities of this theory in the fictional worlds of lyrical poetry. Powered by TCPDF (www.tcpdf.org)
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Resemblance, Imitation, Metamorphosis
Blecha, Jakub ; Thein, Karel (advisor) ; Jinek, Jakub (referee)
The central theme of my thesis are theoretical assumptions of Plato's arguments based on the figure appearance in dialogues X. Republic and Sophist. Separated chapters are devoted to the interpretation of selected passages of dialogue. Some partial assumptions are developed in details, such as The one over many argument in dialogue X. Republic and the essence of the image from Sophist. One conclusion follows from these work: the use of figures appearance is extremely problematic, for that reason, because we can not clarify the nature of image, as its a definitional feature. Reduction of imitation and in the second case of the art of Sophists on a certain type of representation, however, does not lead to the intended goal (to know the subjects of interpretation), but pointed out some non-trivial descriptions of the philosophical framework of Plato's thought. Powered by TCPDF (www.tcpdf.org)
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